Bitter and Smiling by Julad [This owes rather a lot of inspiration to lovely images put in my head by BadBatz, Wax Jism, and Helen.] __________________________________________________________________________ Justin thinks, maybe, he might like Chris, in a way he's not used to liking people. Guys. Men. Because Chris might zoom around like a moquito on acid, but he's a man, too--twenty-six and three years of college and five years of working late nights and long hours; he's sending money to his family when he gets it, and he's lived in trailer parks and dorms and in shabby flats by himself, and when he talks about landlords and union regulations and the cost of a new distributor for a '74 Volvo, he's obviously independent in a way that Justin, at sixteen, can't quite fathom. Chris is twisting in knots with rage over Lou's latest schedule, and the fact that Lance will miss two exams and nobody gets to go home for Easter. Joey has to dance twice a day on a twisted ankle which never heals, and JC's been told to get rid of his girlfriend, who's funny and really smart, and makes them all grill cheese sandwiches for breakfast when she stays over. They had agreed, again, to take a stand over it, and then Lou dropped by as they were packing up to leave, and introduced them to a new act. They're a four-piece with two athletic black guys who smile so suddenly and broadly that you have to smile back, and the exotic beauty--a guy with long copper ringlets and a model's cheekbones whose arrogance makes him macho, and the obligatory young one with shy-baby eyes the girls are going to weep for. Justin knows he's not that cute. JC knows he and Lance can't smile like that. Joey knows he doesn't have that kind of face. Nobody complains about the schedule. "They can't sing like us, though," Chris says, gritting his teeth. "How do you know?" JC lets his eagerness show. "*Nobody* sings like us." Chris stands up and picks up his bag. "Fucking nobody." Joey lets a slow smile creep onto his face, and that's the signal for the rest of them to relax, to let it slide away again. "Nobody," JC repeats, and although they don't start singing, they can feel the potential in their throats and in their lungs. Justin imagines he can see that force, joining them all one to the other like a glowing gold pentagon. They grab their stuff and make for the doorway, but Chris waves as he turns left in the corridor. "You guys go ahead. I'm gonna go upstairs and talk to Lou." Justin's stomach does a weird flip at the sight of him, rudely spiked hair and black stubble disappearing around the corner, the shirt with ripped- off sleeves from an Iron Maiden concert he went to twice. His mind offers up a montage of Chris-shots as he walks to JC's car--leather pants, tattooed calf, glasses and a thick dusty book, maroon-painted fingernails slapping the strings of his battered bass guitar. A man who won two hundred dollars pool-sharking last weekend. A man with a scar on his face. A man who sorts out his own problems. Justin thinks that it should make him feel older, his outrage and his fury when Chris comes home that night, ten-thirty and a tightly clamped jaw, stinking of beer and vibrating with the restrained adulthood which has been forced back into a box too childish to hold it. The bruise on his face tells the rest of the story--it's several hours old--and *fuck*, Justin thinks, Chris should have left Lou with a black eye and a bleeding mouth for that. He can picture it happening--Lou's fat face pink and surprised, the tattoo on Chris' arm flexing and shifting and his eyes flashing under strong eyebrows as he tells Lou that they're not gonna take it anymore. He knows it didn't happen like that. He's pretty sure, from the bitter, glittering fury Chris hides under his sullen defeat, that he knows what did happen. Justin might be young but he knows how it works; remembers the first producer at MMC who drew him aside and said, "I didn't like your sloppiness today, I should get rid of you now," and how terrified he'd been, and what he'd done to make sure he didn't lose his place in the show. He got good at recognising the perverts, eventually, and his Mom was there more than some other kids' parents, but he couldn't be perfect all the time, and he got good at staying out of the way but you couldn't avoid them every minute of every single day, and his Mom couldn't always be there. "Don't think about it," JC told him once, after Justin couldn't slip through the fingers of a guy who liked it rough. "Somebody'll tell their parents soon." And eventually a couple of kids would drop out and one producer would disappear, but soon there'd be another. By then, though, Justin already knew that the stayers, like JC and himself, were the ones who didn't tell anybody anything, who dumbly shook their heads with wide eyes whenever an adult asked them oblique questions about the recently- departed. He knows Lou is that way, too, the heavy breathing as he dresses them all like dolls, but Lou is smarter than the MMC weirdos. Whatever he does, he doesn't do it to Justin. Not to Joey, either, but sometimes Justin suspects JC is protecting both of them, the way JC's shoulders slump on late nights, like the burden on them is too heavy. He has a feeling that Lou knows better than to try it on Lance, who flirts with him like an angel and reveals a wolf's teeth when he smiles up adoringly. All the better to take you for everything you've got, Lance seems to be thinking, hugging back happily whenever Lou puts his arms around them. It might just be, though, that Lance is perkily clueless in his nervous eager way, and Lou is biding his time for the perfect moment to take him, and Justin is reading his own wish-fulfillment into a scenario where somebody, *anybody*, is smarter than Lou. Lance will probably come home one day, cheeks white and moving his limbs a little jerkily, with a cheerful smile papered on his face which hides nothing from people who've been there and done that and bought the t-shirt which says "EVERYTHING'S FINE!" and under it, in tiny subdued letters, "I will never be the same again". None of which explains why Justin feels so disappointed by Chris, by the way he opens the fridge and drinks orange juice from the carton and wipes his mouth crudely and then kicks the fridge door shut. Like a teenager would do. Justin wants to be the man about it, but since the only man in the band can't be a man anymore, Justin doesn't bother trying. Instead, he walks slowly over to Chris, and takes the carton from his hand and puts it on the bench and puts his hand on Chris' shoulders and bends his neck and rests his forehead against Chris' clammy neck. "I love you," he says-- because what else is there that he could possibly say?--and slides his arms down until they circle Chris' waist with evident intent. Chris starts violently, and then shoves him up against the pantry door. Justin hears the crack of his head against the wood more than he feels it. "What do you think you're doing, boy?" Chris sneers, eyes narrowed and glittering, chest heaving as he breathes through his nose. "I know what I'm doing," Justin tells him, with the part of himself which evolved on MMC, the part which is chilled and adult and in perfect control of how he feels about the hundred raging storms which toss him around like a rag doll. He slides down the door until he's kneeling, and looks up to see biceps flicker in bare arms as Chris braces himself. "Justin, don't," Chris says, but he's hard, and his feet are shifting restlessly. "It's okay," Justin says, and it *is*, because if Chris doesn't want to put him through this, it makes a world of difference. He pushes up the t- shirt and undoes the jeans to reveal a cock flushed and angry, throbbing with adrenalin fury. "I can take it," Justin whispers, and then parts his lips, and this time he feels rather than hears his own head banging against the door with the force of Chris' thrusts. "Shit," Chris is saying, with tight-throated despair, "shit, shit, shit," in a dozen strands of abraded perfect pitch. Justin hugs his thighs and swallows harder, Chris bangs his forehead against the door, hard, in time with his thrusts, and then gasps, and then moans like he's dying, and shudders against Justin's tongue. Justin feels it all the way down his throat, and the dry sobs above him are rich with regret and latent purity. Justin ducks his head away and gives Chris a chance to leave; when he looks up, Chris is sitting on the bench, staring distractedly at the juice carton. He rubs at his face roughly. "How-- You-- you're just a baby," Chris says softly. Brokenly. Like he hadn't known. "I'm--" Justin doesn't know what he is, times like this. He doesn't know what Chris is, either--this man with his bruise and his lips twisting bitterly and his rough hair catching the light as his head tilts back and his eyes stare at the ceiling like tears will pour out if he looks away. They're some freak-show mirror-image of one another, he realises--what gave the youth his small adulthoods poisons the adult with putrefying teen angst. Justin thinks, maybe, he can be something for this man. It's something he's accustomed to being, but it's something he's not used to liking. Chris might be ten years older and Justin might find that irrestistible, but there's some growing up which Justin has done and Chris hasn't. Justin thinks that he'll try to keep Chris young for as long as he can, and the thought gives him a warmth he doesn't quite understand, but it feels good, so he smiles about it. Slowly, Chris smiles back. end